Recent Work

Articles

Eastman NOTES Spring 2025

Saving Small Hands: Adaptive Keyboards Pave the Way

The American Brass Quintet Visits for the James E Clark Chamber Music Residency

Third Thursday Concert Removes the Space Between Modern and Medieval Music with Guest Soprano Jacqueline Kwiatek-Horner

Grammy-Winning Bluegrass Artist Dan Tyminski on Eastman Presents’ Kilbourn Series

Eastman Opera Theatre to Present First College Performance of New Opera Following World Premiere

New Director Alexander Liang Explores Black American Culture in the Gateways Music Festival’s Upcoming Season

New Faculty Members David Bowlin and Tony Cho Featured in First Faculty Artist Series Recital

Ran Dank Performs Works that Transcend Technique in First Faculty Artist Series Recital

Joshua Conyers’s Faculty Artist Series Recital Reflects His Journey as a Black Artist

Hear Eastman Organists and Guests at Free Tuesday Pipes Concerts

Eastman Hosted a Free Camp and Pilot Study on Music Technology Supported by a Major National Science Foundation Grant

Celebrating the Eastman School of Music’s Seventh Dean: Jamal J. Rossi

Vocal Quartet säje Performs at Eastman Following GRAMMY Win

Eastman Students Find Faith and Agency in Poulenc’s “Dialogues des Carmélites”

“Encounters with the Schumanns” Merges Musical Scholarship with Performance

Celebrating Robert Morris’s Retirement in a Joint Faculty Artist Series Recital

Celebrating Carlos Sanchez-Gutierrez’s Retirement in a Joint Faculty Artist Series Recital

Ushering In the Next Generation of Chamber Musicians

Program Notes

Rochester Philharmonic Orchestra 2024–25 BRAVO Program Notes

Copland Clarinet Concerto

Ligeti Lontano

Mark-Anthony Turnage Texan Tenebrae

Liebermann Piano Concerto No. 2

Scholarly Work

Michael Boerner, Matt Brounley, Felipe Ledesma-Núñez, Judy Lochhead, Anna Reguero, Hayley Roud & Laura Smith (2014), “A Theory of Musical Analysis: On Segmentation and Associative Organization,” Musicology Australia, 36:1, 130-147.

Foreword to “Looking Within: The Music of John Palmer”